Liberation In Layers
written and designed by Jane Teska
A Decade of Transformation
Pre-Revolution Morals
Prior to this sexual revolution, morals were much more restrictive both in the United States and globally. The post-World War II era, while marked by economic growth and prosperity, also imposed tight moral values in Western societies. It was within this context that paper dresses emerged; not merely as a novelty in the fashion world, but as powerful symbols of the era’s shifting attitudes towards sexuality and individualism. Paper dresses of the 1960s challenged traditional fashion norms and symbolized the sexual liberation of the time and women’s newfound freedom.
1960s Waste Basket Boutique Paper Dress by
Mars Manufacturing Company of Ashville,
North Carolina, ca. 1966.
A Mars of Asheville dress that was customized with original drawings. Image courtesy Jonathan Walford and the Fashion History Museum, Cambridge, Ontario.
JOHN ROMAIN Large Tweed Leather
Structured Satchel Bag.
The Emergence of Paper Dresses
In 1966, the Scott Paper Company, primarily known for its production of paper towels and toilet paper, made an unexpected foray into the world of fashion. They introduced the first paper dress as part of a marketing campaign, offering a brightly colored, disposable garment for just $1.25 along with the purchase of their paper products. This promotional gimmick was an instant hit, and the paper dress quickly became a sensation, capturing the imagination of the public and the media alike.
These dresses were made from a non-woven fabric known as Dura-Weve, a blend of cellulose and rayon, which was durable enough for short-term wear, yet cheap enough to be disposable. The materials used allowed for vibrant colors and bold graphic prints that resonated with the pop art movement of the 1960s. Designs often featured psychedelic patterns, floral motifs, and abstract art, which appealed to the rebellious youth of the decade. The appeal of these dresses lay in their novelty and convenience—no need for washing or ironing, simply wear and discard. The idea of disposable fashion resonated with the fast-paced, consumer-driven culture of the 1960s.
Fashion as a Form of Rebellion
culture began to foster distaste for
consumerist, throwaway ideas. By the
end of 1968, the ‘paper caper’ garments
that had been so popular only two years
earlier had become yesterday’s news.”
Credit to the V&A Museum for
insights on the cultural significance
of 1960s paper dresses.
A Legacy Left Behind
The 1960s paper dress phenomenon was more than just a fleeting fashion trend; it mirrored the era’s sweeping cultural shifts. Paper dresses of the 1960s challenged traditional fashion norms and symbolized the sexual liberation of the time and women’s newfound freedom. As women sought to redefine their roles in society, fashion became a powerful tool for expressing these changes. The paper dress, with its disposable nature and bold designs, represented a break from convention and an embrace of individuality. This impactful garment captured the themes
of an entire decade marked by innovation, rebellion, and significant social change. It is
a reminder that something as simple as clothing can become a symbol of broader societal shifts.
Acknowledgments:
Credit to ATOPOS cvc for their extensive archive of 1960s paper dresses and to AIGA Eye on Design for discussing the evolution of the dress.
Pictured left:
Demonstrators remove their bras during an anti-bra protest outside a San Francisco department store in 1969.
Bettmann / Bettmann Archive